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Continuing the
tradition set by Bhagawan decades ago, devotees from the State Of Kerala,
pupularly known as ‘God’s Own Country’ celebrated their national festival Onam
today here in Prasanthi Nilayam in the immediate Divine Presence of Bhagawan.
Ever since Bhagawan’s gracious magnanimity brought the
festival to the hallowed Prasanthi precincts, Onam has been a dotted festival in
the Prasanthi festive calendar. As per the legend, it is believed that the
erstwhile emperor Mahabali returns to the State on Thiruvonam Day enquiring
after the welfare of his subjects.
In this Thiruvonam morning the programme commenced at 0820
hrs. after half-an-hour Rudram chanting, with a devotional musical offering by
popular devotional singer Sri TS Radhakrishnan & Co. Presenting a garland of
vernacular composition, singing in Malayalam, the blessed singer along with his
two children, Shankar Vinayak and Lakshmi brought the nostalgic ‘Homely Feeling’
for the hundreds assembled in the Real Home away from home celebrating their
major festival.
Some of the numbers were “Oruneramengalum Kaanathey Vayyente…”,
“Enna Thapam Cheyyana Easwaramma…”, “Ambaadi Vaanambaadi Aanadaganam Paadi…”,
“Sai Sai Sai Ramaaya Namo…” etc. Sri TS Radhakrishnan along with his son Shankar
Vinayak (harmonium and vocal) and daugher lakshmi (vocal) was accompanied by Sri
Nishikant Barodekar, faculty member at Sathya Sai Mirpuri College Of Music,
Prasanthi Nilayam on Tabla.
Bhajans by Kerala devotees continued and ended with Mangala
Arathi at 0930 hrs.
Evening Programme:
A dance drama, instrumental music and award ceremony for the
winners of essay writing competition marked the Thiruvonam evening celebrations
in Prasanthi Nilayam.
The programme commenced at 1650 hrs. with an instrumental
music programme led by Thiruvizha Viju S Anand on Violin, accompanied by
Palakkad Mukesh Kumar on Mridangam, Vellattanjoor Sreejith on Ghatam and
Payyanur Govinda Prasad on Mukha Sankh. Beginning with “Mahaganipathim…” the
foursome presented a half-an-hour scintillating display, playing many popular
bhajan tunes, well appreciated by the august assembly.
Winners of Annual Essay Writing Competition was given away
gold medals next. The winners are Kum Manju Krishna of Govt. Law College,
Trissur for the inter-collegiate level, Sri Sai Shyam T of St. Thomas Higher
Secondary School, Trissur and Kum Karthika R Krishnan of Fort Mission High
School, Thiruvananthapuram for High School section, topics being “Glory Of
Womenhood”, “Family – Father & Mother I Love You” and “Water – Gift Of God”.
Over 20699 students representing 750 educational institutions participated in
this year’s competition.
The final presentation for the evening was a beautiful dance
drama, Mahabali, by the students of Sri Sathya Sai Vidya Vihar, Aluva, on the
legend of Onam, illustrating the story of Emperor Mahabali.
The legend has it that Aditi, the Mother Of Devas pleaded with
Lord Vishnu to curtail the powers of Asura ruler Mahabali who went on expanding
his kingdom, conquering world after world….in response to Aditi’s prayers Maha
Vishnu resolves to come as Vamana, as a dwarf, seeking a mere boon of 3 paces of
land… Blinded by his pride,being a man of charity, when Mahabli loses sight,
questions the dwarf of his foolishness, as he sought a silly boon of 3 paces of
land. Vamana sticks to his demand citing the necessity to be contented; the king
agrees despite Preceptor Sukracharya’s advice. Mahabali decides to stick to his
promise despite the threat of being annihilated from the face of the earth.
Vishnu in the guise of Vamana then increases His stature and
with the first step covering the sky, blotting out the stars, and with the
second, straddling the netherworld. Realising that Vamana’s third step will
destroy the earth, Mahabali offers himself to the Mighty Lord.
Mightly pleased with Mahabali’s unconditional surrender Lord
grants the emperor a boon to return to his kingdom once in a year….the
Thiruvonam day.
Bhagawan’s Divine discourse followed that was well received by
a packed audience with pindrop silence. Speaking high of the Emperor and his
surrender, Bhagawan reminded the Keralites of their heavenly fortune of
celebrating Onam in His immediate Divine Presence. Onam in Prasanthi Nilayam is
the real Onam as all join together celebrating Onam together in Bhagawan’s
Presence, said Bhagawan ending His Divine discourse with the bhajan “Hari Bhajan
Binaa Sukha Saanthi Nahin…”
All the artistes were felicitated and bhajans continued, ended
with Mangala Arathi at 1850 hrs.
II Samastha Lokah Sukhino
Bhavantu II
Satsanga Mahatmyam…
Sunday, September 15th, 2013
Continuing with
the festive spirit of Onam, beautiful children from Sri Sathya Sai Vidya Peeth,
Srisailam, Kozhikode, Kerala presented a Musical Dance Drama entitled ‘Satsanga
Mahatmyam’ this evening here in Prasanthi Nilayam.
The presentation was a thesis on the greatness of Satsang,
that leads one to his Ultimate Goal of Realisation. Depicting the epochal
rivalry between Sage Vishwamitra and Sage Vasishta, wherein Sage Vasishta
repeatedly belittled Vishwamitra refusing to accept his Brahmarishi status, the
presentation heralds the greatness of Satsang , which alone finally helped
Vishwamitra the much coveted Brahmarishi status.
Beginning depicting Vishwamitra’s desire for the Celestial
Cow, Nandini, a desire which was rejected by Sage Vasishta, subsequent scenes
present Vishwamitra’s severe penance and his increasing rivalry that ends up in
his attempt to kill Vasishta. Understanding his folly when Vishwamitra accepts
Vasishta, beseeching him to initiate him into Brahmadeeksha, Vasishta in turn
sends him to Lord Adisesha. Vishwamitra learns the finer lessons at the hands of
Adisesha, who exploited Vishwamitra’s weaknesses, advising him to meditate on
his guru Vasishta while trying to understand the greatness of Satsang.
The presentation was intertwined with beautiful dance and song
sequences…ended in perfect style with Bhagawan singing His famous Bhajan, “Hare
Rama…Satsangatwe Nissangatwam…”
Earlier the programme began at 1700 hrs. with two scholarly
speeches by Dr KS Radhakrishnan followed by Dr KBS Rajan. Speaking first Dr KS
Radhakrishnan, Chairman, Kerala Public Service Commission elucidated on the
greater significance of Onam, which is Kerala’s national festival. Marking a
mention of Bhagawan’s magnanimity that allowedKeralites to celebrate Onam in His
immediate Divine Presence, Dr Radhakrishnan exhorted the greater need of the
present time to develop spiritual equanimity.
Delivering a speech full of pun, in oxymoronic style, Dr KBS
Rajan, Member (Judicial) Central Administrative Tribunal, highlighted on the sad
plight of the present day’s life. The present day’s life is tainted with
marooned negative vision, which in contradiction to the olden golden days, and
we need to inculcate Love – that is the Language Of The Heart, as preached by
Bhgawan Sri Sathya Sai, said the speaker hoping for a better future.
Bhajans continued and ended with Bhagawan singing “Govinda
Krishna Vittaley…” . Bhajans by the students continued and ended with Mangala
Arathi at 1845 hrs.
Tomorrow is Thiruvonam…!!!
II Samastha Lokah Sukhino
Bhavantu II
Onam celebrations begin…
Satday, September 14th, 2013
A programme by SRP, Sri Sathya Sai
Rehabilitation Programme for the post operative cardiac patients followed by a
‘Bhajan Sandhya’ marked the first evening of the three-day Onam festival here in
Prasanthi Nilayam today.
The programme commenced at 1700 hrs. with an introductory
speech by Prof Mukundan, State President Of Sri Sathya Sai Seva Organisations –
Kerala, who spoke of the rare nodtalgic beauty of Onam celebrations of yester
years in the immediate Divine Presence. Presenting a brief outline of the
‘Hridaya Sanghamam’ programme by SRP, the State President next invited Dr Anand
Mohan, the State co-ordinator of the SRP programme to elaborate on what entails
SRP. Elucidating on the project in brief, Dr Ananda Mohan next introduced a
couple of speakers, Sri Mithun, an SRP volunteer followed by Advocate
Balakrishnan who was a beneficiary turned volunteer to speak on the activities
of SRP.
The Sri Sathya Sai Rehabilitation Programme under the auspices
of Sri Sathya Sai Seva Organisations takes care of post operative care of
patients operated at the twin temples of healing instituted by Bhagawan, at
Prasanthigram and at Whitefield in Bangalore. Over four hundred beneficiaries
have come to Prasanthi Nilayam as part of the Onam contingent.
A music programme by Sri Sathyanarayanan Nair, a former
Balvikas student, in the lead followed next. Beginning with a couple of
Prasanthi Bhajans, Sri Nair, a disciple of legendary Anup Jalota, sang some
interesting numbers, namely, Sai Baba Bolo…, Mera Jeevan Tere Havaley Prabhu…
etc. Sri Nair was accompanied by Sri Nishikant Barodekar on Tabla and Sri
Sridhar on Violin apart from his three sisters on vocal.
At the end of the presentation all the artistes were
felicitated and Prasadam was distributed.
Bhajans continued and ended with Mangala Arathi at 1830 hrs.
II Samastha Lokah Sukhino
Bhavantu II
Archive Onam 2010
Monday, August 23,2010 -
Onam 2010 - Sai News & Photo Updates:
Onam marks the "Home Coming" of erstwhile ruler Mahabali, visiting
Kerala once in a year, reminiscing his good olden days in the land
known as "God's Own Country".... When thousands from the state have
flocked to the "God Owned Country" celebrating Onam in the Divine
Presence, this day, 23 Aug became yet another festive Kerala day in
Prasanthi Nilayam in His immediate Divine presence.
...And on this expectant auspicious evening, The Lord made His grand
entry at 1710 hrs., escorted by auspicious tunes of Panchavadyam, a
temple associated art form of music with an orchestra of five
instruments, that was preceded by a group of band girls from Sri
Sathya Sai Vidyapeeth, Sri Sailam, Vedam and nadaswaram boys apart
from girls with Thalappoli, who stood on either side at the ladies'
end, welcoming The Lord!
Completing a full round Bhagawan moved further into the ladies' side
before turning above to come onstage at 1725 hrs. Proceedings began
in the next five minutes with the State President making an
announcement on the Inter Collegiate and School Level Essay Writing
Competition held in the state by the Organisation attended by over
15000 participants. Gold Medalists, Kum. Anjani Hariharan and Kum.
Sukanya, from each of the category, were introduced to the audience
who came onstage to receive the medals from the Divine hands.
Bringing in the essence of Kerala's cultural and spiritual heritage,
combining art forms from the length and breadth of the state, a
group of 99 Balvikas children presented a unique programme entitled
"Keraleeyam" that ran for twenty minutes. To the background scores
of medley of songs in vernacular malayalam, these coloufully attired
children danced forth depicting stories of the glory of Adi Shankara
to Parashurama, to the story of Prahlada and Narasimha Avatar
finally talking about the 'home coming' of Emperor Mahabali. Singing
folklore Onam songs they danced heralding the arrival of harvest and
the festival of onam depicting the golden olden days of the Emperor.
Depicting scenes from the minority Chrstian and Muslim population,
the presentatiion culminated with a song hailing the glory of the
Avatar of the Age, Bhagawan Sri Sathya Sai Baba. Popular art forms,
namely, Kathakali, Ottanthullal, Oppana, Kavadiattam, Vanchippattu
etc. were depicted illustrating the illustriuos cultural state.
"Margadhara", a dance drama presentation by the Balvikas children
from the state followed, that depicted the illustrious story of 'Balatapaswi',
child ascetic Dhruva and his pious, virtuous mother, both of whom
were rewarded by the greater heaven to become eternal stars for
their surrender and highest devotion to God.
Beginning with a Kailasha scene wherein Nandeeshwara informs of the
entry of a "new star" into the gates of Kailasha, The Lord reveals
the illustrious story of Mother Suneeti to a growingly anxious
Mother Parvathi, explaining the virtue and devotion of Suniti and
her son Dhruva.
The epical story of Suruchi vs. Suniti, the jealous and wicked vs.
the virtuous and godly was well depicted through flashback scenes
beginning at King Uttanapada's royal court. Great affection and
understanding between the two little brothers, Suruchi's demeaning
attempt at Suniti aided well by a slandering woman, Suniti's
righteous approach bearing all sufferings at the hands of Suruchi
with composure were depicted before the climax scene wherein the
Little Dhruva was insulted by Suruchi, who dragged the little prince
out of the King's lap calling him unworthy. A desolated little
Dhruva was comforted by his mother, who advised him to meditate on
Lord Maha Vishnu, who would accomodate him on His Divine Lap, the
Highest Abode! ...and thus began the highest penance that shook the
three worlds finally bringing the great good to him and his mother,
ascencion to the Highest Kingdom of Godhood!
The scene comes back to Kailasa where a wonderstruck Mother Parvathi
pays 'salutatiions' to the newly ascending star, Suniti, who was
conferred upon to be an eternal star, guiding mothers till eternity,
while Dhruva was ascended to the heavens to be shone forth as
Eternal Pole Star. The drama was unique with its humorous touch in
dialogue delivery and enacting. Participating children have
undergone hectic preparations before the final show and the make up
for the presentation started as early as at 0800 hrs. this morning.
Bhagawan had moved off the stage for a short while and was back in
time for the final scene wherein Lord Vishnu was conferring the boon
on to the little lad. Upon the end of the one hour presentation, as
per His command, safari pieces and sarees were given away to the
participants. Soon it was Mangala Arathi time and as the Arathi song
was being sung, Bhagawan moved down the dais to pose with the tiny
tots for the day's evening session. A couple of boys were blessed
with materialised Vibhuti prasadam.
Returning onstage, Bhagawan asked for an encore of "Samastha
Lokaaha...." before blessing the concourse with
abhayahastha...Moving off the dais, Bhagawan retired for the day at
1925 hrs. bringing curtains down on this year's episode of
auspicious Onam! Special prasadam brought from Kerala was
distributed to the capacity audience.
Malayalee contingent of students from both Brindavan and Anantapur
Campus have also joined Prasanthi Nilayam celebrating their chosen
festivity along with thousands of devotees from Kerala and other
parts of the world.
Thiru Onam dawned at Prasanthi Nilayam with Sai Kulwant hall and Yajur Mandir decked
in festoons and floral decorations. Swami was welcomed into the hall with resounding
Panchavadyam by the students and devotees and the girls' brass band of the Srisailam
school as the bhajans went on at 9.30 am. Small girls with traditional lamp plates
lined Bhagavan's route. Once He sat onstage after His darshan round, He listened to
the bhajans for half an hour more before asking Prof. Anil Kumar to announce that He
would address everyone in the evening. Accepting Arati, Swami went to the interview
room for a few minutes before returning to His residence at half-past ten.
In the evening, Bhagavan arrived for darshan at 4.20 pm and after His darshan round
went into the interview room. A few minutes later, He came onstage and began the
programme. The Kerala state President introduced the speaker for the evening, Sri
Jayakumar IAS, in-charge of arrangements at the Sabarimala shrine. After his short
speech, Swami commenced His Divine Discourse at 4.45 pm. Reminding all of the story
of Mahabali, He exhorted the people of Kerala to follow Emperor Bali's example in
upholding values. The 45-minute Discourse was followed by a drama on Bhaktha
Nandanar by the children of Sri Sai Vidya Vihar, Aluva. As the drama came to a close
at half-past six, Swami blessed one of the participants with a chain. Prasadam was
distributed after Bhagavan blessed the children with a group photograph. He then
asked them to sing a bhajan, following which He accepted Arati and returned to His
residence at 6.45 pm. Read More details below -
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Morning Darshan, Divine Discourse, Drama on 2nd September
- Evening Programme
When festive Kerala was abuzz, busy welcoming her erstwhile ruler Emperor Mahabali,
a miniscule of the state descended in Prasanthi Nilayam welcoming the Mighty Lord
amidst them, invoking Divine Blessings on the auspicious festive occasion of Onam.
The venue, Sai Kulwant Hall, bore a festive look of gaiety and majesty, with natural
decorations reflecting the state’s greater cultural values and traditions
beautifying the seat of the Lord in Prasanthi Nilayam to pristine splendor and
beauty.
Plantain trees tying a green belt around the periphery of the spacious Sai Kulwant
Hall, decorated parasols, muthukkuda, of varied hues standing upright majestically,
symbolizing class, temple architectural designs made out of plantain stems adding to
the aesthetic cultural beauty, tender coconut leaves hanging all over heralding
auspiciousness, palm leaves covering huge pillars, it was a mini green revolution
all over at the venue in Sai Kulwant Hall.
Bhagawan was accorded a befitting welcome with girls in traditional attire arrayed
on both sides in the pathway giving a ceremonial welcome. Band Girls from the state
accompanied them, amidst Bhajans and Panchavadyam (an orchestra of five instruments
popularly known as God’s Own Orchestra) by both University students and a special
troupe from Kerala.
Traditional floral decorations with Nirapara, full measure of paddy heaped for
ceremonial offerings in traditional measuring container called 'Para' decorated with
‘Thengin Pookula’, opened coconut flower, offshoot of coconut tree,
was arranged in
the centre of Sai Kulwant Hall opposing the seat of the Lord on the dais. University
boys with Kerala origin from Brindavan and Prasanthi Nilayam campuses along with
Higher Secondary School had various creative cards and presentations wishing
Bhagawan “Happy Onam”.
Bhagawan came for a full round at 9:20 a.m. while bhajan was on, and an announcement
was made about a scheduled Divine Discourse at 4 p.m. Arathi was offered just after
10 a.m. before Bhagawan retired to Yajur Mandiram.
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Evening Programme
The evening proceedings started with Bhagawan coming out at 4:20 p.m. Bhagawan came
onstage after a full round of darshan and all eyes were on Bhagawan expecting the
promised Divine Discourse. At the outset, State President Prof. Mukundan introduced
Mr. A.Jayakumar, IAS, Chief Addl. Secy., Home & Vigilance, Govt. of Kerala, the lone
speaker for the session preceding the Divine Discourse.
In a tone that sounded humble and a tenor that reflected submission, Mr. Jayakumar
mentioned that, while back in Kerala people from all over the world come back home
to celebrate the festival, devotees of Bhagawan come to their ‘real home’ in
Prasanthi Nilayam to celebrate the festivity in the Divine Presence of Bhagawan.
While there was a sense of abundance and well being all over the state with the
festive season in Kerala, devotees of Bhagawan come to Prasanthi Nilayam to have
abundance of Bhagawan’s love.
top
Divine
Discourse
Bringing parallels between the festivity and Bhagawan, taking a cue from Emperor
Mahabali’s great act of surrender to the Will of Lord Vamana, Mr. Jayakumar reminded
fellow devotees that it was time for sacrifice and surrender to the Will of Bhagawan
for the greater benefit of humanity. Against the floral decorations that are done
ten days in advance to the Onam festivity in Kerala, symbolizing purity, devotees
have their hearts ready with floral decorations all the days, all through for
Bhagawan to come, concluded Mr. Jayakumar.
Lucidly explaining the story of Emperor Mahabali, mentioning that his kingdom of
yore was ruled in perfect fashion, taking care of the subjects and their needs to
best of his abilities, Bhagawan, touching upon various incidents in the life of the
Emperor further mentioned that the Emperor was sent to the neither world and ever
since it had become Brahma Loka and the Emperor had attained liberation.
Talking of the legend of the festivity, Bhagawan mentioned that the subjects were
grief stricken at the loss of the Emperor and reciprocating to their fondling
feeling the Emperor had promised them that he would be visiting them once in a year
and thus came into being the festivity of Onam.
top
Bringing a comparison of the monsoon that starts from Kerala and spreads all over
the country, Bhagawan mentioned that God was one and One alone and this One God was
taking care of the entire humanity, declared Bhagawan to thunderous applause.
Hailing Kerala to be a Gift of God, Bhagawan mentioned that the people of Kerala
think of the mystery and glory of the Emperor even today, which in turn helped them
to make advancement in their lives. The state was blessed with plenty and
prosperity.
Though individual difference, due to the effect of Kali, caused some changes in the
state, still the people of the state follow Truth, said Bhagawan adding that the
people of the state give great respect and care to the elderly people. Drawing
attention to the three God given principles, Love for God, Fear of Sin and Morality
in Society, Bhagawan mentioned that Kerala was the only state where service to
elderly people was undertaken in this Kali age. Discoursing in detail on the subject
or Morality, Bhagawan said, Kerala has given great importance to the teaching,
Sathyam Vadha, Dharmam Chara…
top
It is not mere celebration in a grand gala way, but one should make every effort to
fulfill the promises given to the Emperor, added Bhagawan..
Exhorting the devotees not to consider the festivity like any other festive
occasion, Bhagawan said that, true significance was to follow the ideals of the
Emperor. Taking bath, wearing new dresses, purifying our hearts ever thinking of God
is real Onam, said Bhagawan divulging in detail about various kinds of preparation
done by Keralites during the occasion. Keralites make twelve types of sweet dishes
from plantain and they do it with sacred feeling, offering the same to God. Kerala
is the only state where preparations are done with such sacred feeling, said
Bhagawan. Referring to the state’s devotion, Bhagawan urged the devotees that all
should give up all silly thoughts distancing themselves from all sorts of worries
understanding that heart is the seat of God. Citing Emperor’s example, Bhagawan
advised everyone to follow His often repeated maxim, LOVE ALL SERVE ALL enlightening
that there was no bigger penance than following the same.
Coming back to the subject, Morality, He stressed on the greater importance of the
same to follow the same in our lives. One should learn obedience and humility from
the life of the Emperor and following these ideals his life could be redeemed,
concluded Bhagawan.
Bhakta Nandanar
Happy Onam
Drama on 2nd September
Drama by Students of Sri Sathya Sai Vidya Vihar, Aluva
The Divine Discourse was followed by a Drama entitled “Bhakta Nandanar”, by the
students of Sri Sathya Sai Vidya Vihar, Aluva. Bhakta Nandanar was one of the
celebrated devotees of Lord Shiva, belonging to the famous Nayanar saints of South
India. The drama had few incidents from the life of Nandanar, who was an epitome of
true, pure and unsullied devotion.
top
Born in Andhanur village of Tanjore, Nandanar endured at the hands of the mighty in
the name of untouchability. Being born in the paraya community, he was considered to
be an untouchable. As a child he showed exemplary devotion to Lord Shiva though he
was permitted to worship only tribal Gods.
top
The first episode depicted a scene wherein the orthodox belief and theory that - the
untouchables should not be allowed to worship Brahmin Gods - was affirmed and
reaffirmed by the friends and colleagues of Nandanar. Nandanar was still nonchalant
and determined with his devotion to Lord Shiva. Despite cautions and warnings the
young Nandanar was unmoved and finally he was taken to his mother. His mother
gripped with fear, finding her son suffering from fever, attributed the fever as a
punishment meted out to Nandanar for worshipping the Brahmin God. To redeem the
effect, she promised to offer goat sacrifice to Lord Shiva. Nandanar was distressed
at this sight and called upon his mother to stop such nonsenses, telling her that it
was not acceptable for him to sacrifice one life for another; he would rather prefer
to die, declared the young Nandanar. The scene ended with Nandanar getting
miraculously cured after applying sacred ash taken in the name of Lord Shiva.
The second episode had an interesting incident related to the Thirupangur Temple,
wherein the untouchable Nandanar was found in a distressed state with no option to
have the holy darshan of his favourite Lord. With the huge statue of Nandi blocking
the view of the sanctum sanctorum, and by being an untouchable, he was not allowed
to cross over the Nandi statue, he was left with no option than to fervently pray to
his favourite Lord. Having surrendered completely to the Will of his Lord, he was
immersed in praising His glory and lo! The Nandi moved to the side letting Nandanar
to feast his eyes with the holy darshan of His favourite Lord.
top
Once, after hearing the glory of the Lord of Chidambaram, Nandanar grew into an
intense desire to have the darshan of the Lord. His Brahmin Landlord upon hearing
his desire literally run down on him, hurling abuses, showering insults, calling him
profane names reminding him that he was an untouchable and would not be allowed to
have the darshan of Brahmin Gods.
Upon repeated pleadings from Nandanar, the landlord granted permission on condition
that Nandanar harvests forty acres of land all by himself! Happy beyond measure,
taking the name of Lord Shiva, Nandanar completed the task overnight to the
astonishment of all. Understanding his folly and realizing the greatness of Nandanar,
the landlord sought pardon from Nandanar.
It was trial time for the great devotee, even after entering the city of
Chidambaram. He was accused by the Brahmins over there and a vailing Nandanar was in
deep contemplation of the Lord. But, the same night, the Dikshitars of the temple
had a dream of Lord Nataraja commanding them to purify Nandanar to allow him to the
sanctum sanctorum. They set Fire Test for him…Agni Snanam, the Test of Fire. To the
utter astonishment of all, Nandanar who ventured despite warnings from his well
wishers came out of the fire unscathed in the attire of a Brahmin to merge at the
Lotus Feet of His chosen Lord!
top
At the end of the programme, grateful children from the school fervently prayed to
Bhagawan thanking Him profusely for the great grand boon bestowed upon them with His
immense grace and love. Bhagawan moved down to pose for a photo session. Clothes
were distributed to all the thirty two participants. The cast of Nandanar, who acted
with precision and great feeling, almost living with the role, was presented with a
golden chain in appreciation by Bhagawan. Arathi was offered before Bhagawan retired
to Yajur Mandiram bringing the curtain down for the grand festivity Onam 2009.-
Source sssbpt.org
Om
Sri Sairam dearest Sai Family, - Onam update 2nd Sep.2009 Eye witness account by
a devotee
The beautiful state of Kerala, where many of our overseas Sai Devotees make it a
point to visit for its refreshingly natural serene atmosphere, for its vast
knowledge in ayurveda, for its excellence in upholding the Indian culture is also
famous for its beautiful festival Onam, which brings joy and happiness in every
Keralite's family.top
Onam in Prasanthi Nilayam is always
a special occasion. It is the day when Maha Vishnu, our Lord Sai explains the
circumstances by which He had to descend on the earth in the form of dwarf Vamana to
emperor Bali who was ruling the beautiful state of Kerala. Emperor Bali was lauded
for his charity. God wanted to test his charity and came in the form of Vamana, who
looked like a poor priest and asks for three foot steps of land. Emperor Bali,
thinks, I own a big emperor and this three steps is NOTHING and asks Vamana to take
the land. When Vamana puts one foot the whole earth, is covered and the next foot
was covered by the sky and there was no place to put the third foot for which
Emperor Bali asks to put it on his head which signifies total surrender, shedding of
ego. Appreciating His noble character, God confers the boon to Emperor Bali, to
visit his kingdom (Kerala) once a year and this is the time of the year when
Kerala's yesteryears' emperor Bali visits this beautiful place on the earth and
Keralites' welcome their emperor with utmost devotion and faith irrespective of
caste, creed or religion or faith. We all know, the first monsoon enters India
through Kerala and every one eagerly awaits the arrival of monsoon. Kerala is a land
of plenty and prosperity due to abundant rainfall all through the year. Rain God,
seems like has accompanied the Keralites' and thus Puttaparthi is witnessing heavy
rainfall for the past 3 days and thanks to Swami, this place is getting cooler and
cooler...
top The second day of Onam celebrations witnessed an excellent drama On Bhaktha
Thukaram
and there was also a musical programme by Mrs. Chitra, the famous play back singer
who has been blessed with a very sweet voice and has sang 18,000 songs till date in
9 different languages. Born in Trivandrum, Kerala, Mrs.Chitra speaks six languages
and has been in Sai's fold for about 18 years now from the days of Spirit of Unity
concert. After the programme, Swami had a lengthy talk with her and Swami called
upon her little daughter Nandana, who was born after 12 years of prayers to Swami.
Just a year before her birth, it seems Swami told her that next year she will have a
good news and needless to say, little Nandana came into her life. The same year,
Swami gave her the name Nandana. As she is the chosen one, Swami preferred to
specially bless her and Swami even materialised a little chain to little Nandana for
which she smiled back with an innocent smile. It was a rare blessing for a family
which was spiritually charged and it was a treat to watch Swami interacting with the
blessed family..
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2nd September 2009.
This morning, the beautifully decorated Sai Kulwanth hall was eagerly awaiting the
arrival of our beloved Lord. Though the crowd was bit less compared to last year,
but the spirit and grandeur of this holy festival was the same. Bhajans commenced at
9am and Swami blessed the august gathering at 9:30am amidst loud cheers from the
devotees gathered in the hall. Swami was given a traditional welcome in Kerala style
and after taking a full round Swami came on to the dais, which had two little hut
like things one each on the lions. Swami had a keen look at the huts and stayed on
stage till 10:15am listening to bhajans.
While the bhajans were still on, Swami called upon Prof.Anil Kumar and it was
announced later that Swami would be delivering His Onam divine discourse at 4pm
later in the evening which was received with loud applause from the devotees. Like a
loving mother Swami again asked to announce for every one to go and have their
breakfast which brought smiles to every body.
In the evening, Swami in His discourse, praised the land of Kerala and appreciated
the people of Kerala for safeguarding the spiritual riches of this land. Swami said
Kerala is a land of plenty and prosperity and there is so much of love among people
there.
They have pure heart and on this special day, they make 12 different kind of dishes
just with plantain. This is very unique and every dish tastes very good and this is
because there is so much of love in preparing those dishes. They offer it to God and
prepare it with pure heart.
Swami also said a person without Neethi(morality) doesn't belong to any Jathi,
(can't be called a human). Swami in His divine discourse asked all of us to respect
one's own mother and father and God at the end. If mother and father are happy God
also will be happy. He gave the example of Kerala, where elders are treated very
well and especially on this Onam day, they are given new clothes and every one seek
their blessings which shows how well elders are taken care.
Swami asked not to hate any one. Even if you come across your enemy say hello and he
will respond with the same tempo... Swami asked all of us to have sacred thoughts
and noble intentions.
Seated in His car chair Swami spoke for good 45 minutes and later asked students to
clear the middle area of the hall for the drama Bhaktha Nandana to commence.
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Swami was given arathi around 7pm.There were also some anxious faces in the devotees
who were thinking of Chief minister of Andhra Pradesh Dr.Y.S.Raja Sekhar Reddy and
his family, whose helicopter went missing at 10am and 9 hours since then there was
no trace of his where abouts. Dr.Reddy who visited Swami many a times to seek His
blessings and suggestions on the various irrigation projects which his government
was involved with is very much liked by Swami. Swami was very much impressed with
the idea of building irrigation projects instead of wasting the river water to flow
into oceans... Dr.Reddy an excellent leader and good administrator also brought back
congress party into power second time. He has done many good things for the state of
Andhra Pradesh and is liked by many even in Puttaparthi and let us all pray and hope
that he comes back home safely and let him be a humble instrument of Swami in the
years to come..
With Humble prayers and Pranams at the lotus feet of our beloved Lord,
Source:
SBOI-Group
From the life of Shankaracharya to the life of Sant Thukkaram, from the doctrine of
Advaita to the efficacy of Namasmarana…On the 1st September evening, it was Maratta
flavor all over in the first half of the second day’s programme. The evening
witnessed a dance drama on the life of Bhakta Thukkaram, staged by the students of
Sri Sathya Sai Vidya Peeth, Sri Sailam, Calicut.
The drama was a depiction of Thukkaram’s unflinching devotion and faith in Lord of
Pandharpur, Lord Vittala. The saint who led a devoted life, singing abhangs in
praise of the Lord of Pandharpur was oblivious of worldly life and responsibilities.
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The drama began with Namadev seeking a special boon from Lord Vitthala to bless him
to compose hundred crores of hymns in praise of the Lord. Pleased by Namadev’s
immense faith and unflinching devotion, Vitthala Himself took upon the task of
taking down the notes completing 94 crores and 60 lakhs of hymns followed by another
five crores and forty lakhs in Namdev’s next incarnation as Durgadas who later
became Samarta Thukkaram.
When the house was in distress with the children put to suffer without proper
clothing and food, Thukkaram always had one answer to his grieving wife that His
Lord Vitthala would take care of everything and he went on singing abhangs
propagating the greater efficacy of Namasmarana. To a distressed Dharmapatni, better
half, he told in certain terms that he would be ever ready to relinquish anything
and everything including his wife and advised her to be ever ready to sacrifice
anything that come in between she and her Lord.
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When he was caught in a storm in the forest, having lost everything, he cried out to
his Lord to come to his rescue and in a trice he was transported back to his place,
with abundance. Back home, Jijabhai was happy and was wondering at the miraculous
deeds of Lord Vitthala. When she went to her brother’s house to repay the debt due
to him, she was informed that Thukkaram had already paid off the debt due, with
fairly good percentage of interest. To an inquisitive Jijabhai, who suspected unfair
means by her husband, Thukkaram convinced her that it was his prayers in distress
that brought His abundant grace upon the family.
Tuesday, Sept 01, 2009 -
Bhakta Thukkaram, Dance Drama and Music by KS Chitra - Onam 2nd Day
This morning, Bhagavan came for darshan at ten minutes to nine, and
in the evening at ten minutes to five. He came directly to the stage
and asked for the drama of the evening to begin. The children from
Sri Sathya Sai Vidyapeeth of Srisailam, Kerala, presented a
half-hour play on the saint Tukaram. After their play,
the famous playback singer Smt. Chithra presented a 45 minute
programme of songs. After her programme, she brought up her child
also for Bhagavan's blessings. Swami created a chain for the child
and put it on her neck. Swami had a group photo with the singer and
accompanists and Arati was then offered while prasadam was
distributed. Bhagavan then asked the students to sing a couple of
songs with Alap after which He left for His residence just before
seven o'clock.
To an emotional Jijabhai, Thukkram advised her to maintain her state of steadfast
devotion in surrender to the Lord. However, hard times hit the family once again.
Seeing her husband completely oblivious of family responsibilities, always engaged
in Namasankirtana, Jijabhai grew ever more anxious and worrisome.
On an Ekadashi day when a distressed one came and asked for alms Thukkaram gave away
the lone spare sari belonged to his wife in charity. An enraged Jijabhai questioned
her husband’s motives, hurling abuse at Vitthala. Abusing that His name was heard
and overheard over and over again and that He had bestowed upon them nothing but
perennial poverty. She had decided to put an end to her husband’s madness. In a fit
of rage she wanted to break the idol of Lord Vitthala.
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Back in God’s realm Lord Vitthala was narrating His consort the drama at Thukkaram’s
house and advised her to pacify Jijabhai giving her pearls of Divine Wisdom. The
Divine Mother came wearing the same sari that was given in charity by her husband
telling Jijabhai that she had come to bless her and she was blessed to be the
consort of such a great devotee, Thukkaram.
Nightingale Special for The Lord
Music Concert by K.S.Chitra
She is K.S.Chitra, popularly known as the “Nightingale of South India” who lends her
voice in the South Indian Film Industry, whose foray into the field of playback
singing earned her a distinct name in the Indian Music Industry; The stage was the
seat of the Lord in physical, the dais in Prasanthi Nilayam; The occasion was
Uthradam, the day preceding to Thiruvonam, Kerala’s most important festivity.
…And the popular playback singer would never forget the day when she was abundantly
blessed by Bhagawan. On the beautiful evening that preceded the auspicious
Thiruvonam, K.S.Chitra was fortunate to share the stage with her Mighty Lord, who
was onstage enjoying the programme, to sing a collection of selected devotionals.
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Starting off with Ganesha Vandana she had a string of ten songs that included one
bhajan, a fruitful mix of variety songs including carnatic pieces that exhibited her
rare talent of weaving vocal magic.
The songs included, Madhura Mukhada Sai Natha…, Bhaavayami Gopala Baalam….. Jai Jai
Jai Jai Sai Janani…, Aalarey Giridhara Gopal…, Pashupathi Thanaya Vighna Vinashaka…,
Krishna Nee Begane Baaro, Koi Kahiyo Re Prabhu Awan Ki etc… followed by the popular
Prasanthi Bhajan “…Chittha Chora Yasoda Ke Bal, Navaneeta Chora Gopal”…
Tuesday, Sept 01, 2009 -
Bhakta Thukkaram, Dance Drama and Music by KS Chitra - Onam 2nd Day
This morning, Bhagavan came for darshan at ten minutes to nine, and
in the evening at ten minutes to five. He came directly to the stage
and asked for the drama of the evening to begin. The children from
Sri Sathya Sai Vidyapeeth of Srisailam, Kerala, presented a
half-hour play on the saint Tukaram. After their play,
the famous playback singer Smt. Chithra presented a 45 minute
programme of songs. After her programme, she brought up her child
also for Bhagavan's blessings. Swami created a chain for the child
and put it on her neck. Swami had a group photo with the singer and
accompanists and Arati was then offered while prasadam was
distributed. Bhagavan then asked the students to sing a couple of
songs with Alap after which He left for His residence just before
seven o'clock.
During one of her earlier visits to Prasanthi Nilayam, in the mid nineties, she had
an opportunity to sing in His Divine Presence, in an unscheduled programme held in
the Poornachandra Auditorium. And along with many other popular devotionals she had
sung the same bhajan, “Chittha Chora Yasoda Ke Bal…”
top
Hers was melody that sounded soothing, often touching lower tones, suddenly pitching
up to ecstatic heights, a sign of devotional ecstasy, bringing the audience
spellbound with what one could call the ‘Nightingale Special’ for The Lord. The
packed audience gave the singer rounds of applause when, one after one, she came out
with a variety mix sung with elan.
After the programme Bhagawan spent quite some time with the singer talking and
blessing her. Her seven year old child, Nandana, was specially called on stage at
the instance of Bhagawan. Bhagawan materialized a gold chain for the little one and
presented sari to the singer and safari pieces to the accompanying artistes.
Bhagawan most lovingly posed for photo session making the day a most memorable one
in her life.
Dance Drama on the life of Jagadguru Shankaracharya
Posted at 2210 hrs. on 1st Sept 2009
In a dampened evening that appeared to have lost its natural splendor when rain
clouds concealed heaven in the sky, The Heaven on planet earth did not relent.
Onam is the biggest and the most important festival of the state of Kerala,
celebrated by all communities with secular feeling beyond religious boundaries. It
is supposedly the harvest festival of the state and is celebrated with joy and
enthusiasm. Thiruvonam is the day when Keralites, according to the legend, welcoming
their erstwhile King Mahabali whose story is tagged with the story of Vamana.
Mahabali, shunning his ego, while returning to the neither world as per the command
of Lord Vamana was blessed with a boon to return to the state once in an year, and
this return is celebrated throughout the state as Onam.
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Adi Shankara’s illustrious story is quite familiar to the Sai Fraternity as his
story comes quite often, referentially, in Bhagawan’s Divine Discourses. The day’s
evening programme was on the life story of the illustrious philosopher saint, Adi
Shankaracharya who was the most authoritative proponent of the Advaita philosophy.
The Balvikas children from the district of Trivandrum had a simple yet thematically
rich presentation, “Shankara Digvijayam” that covered the life story of the great
saint. The drama began with a backdrop wherein an inquisitive little mind, a little
boy, who, during the last leg of his lengthy pilgrimage, to various holy places
along with his father, meeting up with someone to open up a conversation on the holy
life of Shankaracharya. The inquisitive mind who already nurtured a desire to lead
the path of an ascetic posed a vital question. ”…How did an eight year old boy who
left his home became Jagadguru Shankaracharya?” and there unfurled the story of the
illustrious life of one of the greatest Saints of Bharat, Jagadguru Adi
Shankaracharya.
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The first scene depicted Shivaguru, father of Shankaracharya narrating a dream to
his better half, Aryamba. The dream was about a promise by Lord Shiva to end their
long agony of not having progeny as Lord Shiva Himself would be taking birth as
their son.
Monday, Aug 31,
2009 - Shankara Digvijayam - Onam Day 1- Dance Drama 31st Aug 2009
This evening, a backdrop at the centre of Sai Kulwant hall announced
the beginning of the Onam programmes by devotees from Kerala.
Bhagavan arrived for darshan at 4.30 pm and came onstage after His
darshan round to begin the programme ten minutes later. The
hour-long drama by Balvikas children 'Shankara Digvijayam' portrayed
the story of Adi Shankara. Swami blessed "Shankara" with a chain and
sent clothes for all the participants as bhajans by the devotees
began. Prasadam was distributed and Swami accepted Arati just before
six o'clock before returning to His residence.
But, Aryamba’s joy was short lived as Shivaguru, after seeing the child’s horoscope
revealed that the child was destined to take up sanyasa. Shivaguru in his attempt to
pacify his wife went philosophical telling that ignorant, myopic vision of the
ordinary could not fathom Divine Foresight. “If God has a different plan, we should
accept it”.
Shankara was extraordinarily brilliant and intelligent in the Gurukula and his inner
thirst to embrace the life of an ascetic was burning with intensity. But, in the
meantime his father passed away. His mother, who was ever reluctant to part away her
son by permitting him to become an ascetic finally had to yield when she was caught
in a fixed situation, as her son was caught in a crocodile’s clutch and she had to
pledge her son to Lord Shiva allowing him to become a Sanyasi.
To a worried mother who raised her concern that she would be missing her son during
her last moments, the young Shankara promised that he would be at her “beck and
call” in her final moments and would perform her last rights.
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Shankara moved on, travelling extensively. He met his guru, Govindacharya on the
banks of Narmada under whose tutelage he was trained to become a great scholar.
Later at the instance of his guru, Shankara left the holy city of Kashi and wrote
commentary on Brahmasutra and several strotras including Kalabhairava Strotram,
Annapoorna Strotram. While in Kashi, he initiated his first disciple Sanandan, who
later came to be known as Padmapada. In Kashi, the seat of knowledge, great scholars
and saints conceded to Shankara’s great wisdom who thus earned the title
Shankaracharya.
The next episode showed great wisdom dawning upon Shankara wherein he was made to
learn the oneness of all, by lifting the veil of illusion. While on the move he was
encountered by a beggar who came on his way. Shankara’s disciples with the thick
veil of illusion tried to drive away the beggar who in turn retorted asking Shankara,
questioning him as to whether the person who wrote “Brahma Sathyam Jagad Mithya”
could command the soul to move away. With wisdom dawning upon, Shankara sought to
touch the feet of “The Lord” conceding that his veil of illusion was removed.
In the meantime it was emotional scene back at his home in Kaladi, Kerala. Mother
was wailing as she was waiting to breathe her last and fondling memories of her
beloved son was haunting her soul. She was expectant and as per the promise given,
Shankara finally reached home to an emotional scene. Imparting wisdom to the
departing soul, telling her that she was not the body, but was the fearless refuge,
Shankara helped her to regain her composure to become courageous to face death
without any worries. Accepting her last wish Shankara recited Govindashtakam to
liberate her to the ultimate freedom.
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In an emotional scene, tiny tots, the narrators of the dance drama, remembered
Bhagawan and Holy Mother Easwaramma singing the glory of the illustrious mother
telling that no son could repay a mother for all the sacrifices and pains she
endured.
In the meantime Shankara Digvijayam was already a happening and there were real
concerns from some quarters who feared that Shankara was converting everyone into
Advaita philosophy. Kapalika, a cruel king belonged to a sect which had been
worshipping Goddess Kali, had been nursing a grievance against Adi Shankaracharya,
whom he viewed as a potential threat to his faith and sect. Obtaining consent from
Shankara in the name of Lord Shiva, Ugrabhairava, the lieutenant of Kapalika, wanted
to behead the wisest man living on earth, who was supposedly Shankara. He took the
Acharya to a nearby cave, made necessary arrangements for the sacrifice-ritual and
prepared himself to behead Adi Shankaracharya. The Acharya agreed that Ugrabhairava
could behead him once he entered in trance.
However, when the Kapalika lifted his sword and readied himself to chop off his head
Sankara's disciple Padmapada, envisioning this murderous scheme rushed to the cave.
Having possessed by Lord Narasimha, he verily, became the man-lion Lord himself to
save Shankara.
The Digvijayam was on and Shankara was on the move across the length and breadth of
Bharat. Thousands followed him abandoning worldly life. Finally he summoned his four
major disciples, Padmapada, Hasthamalaka, Thotaka and Sureshwara, asking them to
travel to the four corners of Bharat spreading the Advaita philosophy, empowering
generations with the light of Advaita. He declared that he would be going to
Kedarnath and would never return.
The drama ended with a declaration that Advaita philosophy was as popular and
effective even today and one should serve the society with selfless love and
service, as desired and willed by Bhagawan. The final scene showed the little
ascetic aspirant desired to have the darshan of Bahgawan Sri Sathya Sai Baba at
Puttaparthi.
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The presentation by 54 Balvikas children from Trivandrum had emotion packed scenes,
powerful dialogue delivery and to top it all, scores of beautiful songs,
intertwined, some from original Shankara composition in Sanskrit. Shankara
Digvijayam was the portrayal of one of the greatest saints of India, whose doctrine
of Advita stands in good stead for the days to come.
Towards the end of the presentation Bhagawan distributed clothes to all children
participants. Prasadam was distributed and Arathi was offered before Bhagawan
retired to Yajur Mandiram.
Eariler Prof. Mukundan, State President, Sri Sathya Sai Seva Organisations, Kerala
introduced the programme stating that it was due to the greater love and compassion
that enabled the state to organise Onam 2009 in Prasanthi Nilayam, in the immediate
Divine Presence. Subsequently he announced the programme for the evening, Sri
Shankar Digvijayam which was corrected by Bhagawan...He made yet another
announcement admitting that he was under Divine Correction as Bhagawan said, the
drama title was Shankara Digvijayam...
DEVELOP QUALITIES OF HUMILITY AND
OBEDIENCE BESIDES MORALITY IN SOCIETY
Man is born out of, grows in, and
finally departs from this world due to karma. Karma is verily the embodiment of
Divinity for man. It is only due to karma that happiness and sorrow occur in this
world.
(Telugu poem)
Embodiments of Love!
Dear devotees of Kerala! Emperor Bali used to rule the state of Kerala in ancient
times. He used to treat his subjects as his own family members and provide several
conveniences for their happy and comfortable living. He used to develop sacred
feelings among the people and create a proper environment to foster them.
In order that the people tread the right path and to set an example to them, he once
started a yajna (ritual, sacrifice) by name ‘Viswajit’. Several people gathered to
witness that event. Emperor Bali performed the yajna on a grand scale by donating
land and money to several people and gave away gifts to a number of people on the
occasion. During the Yajna, his family members were also seated on the Yajna Vedika
along with him.
While everyone was watching the grand spectacle, a handsome boy entered the
sacrificial hall holding a small umbrella made of palmirah leaves. As He was
approaching the altar, Emperor Bali’s daughter Ratnamala saw Him. She was captivated
by the beauty and effulgence of that charming young boy. Immediately, she was lost
in deep contemplation, thinking, “How fortunate it would be if I had a child like
Him!” The boy went straight to the altar. While everyone present in the sacrificial
hall was watching happily, Emperor Bali welcomed Him, washed His feet reverentially,
offered a garland, and asked Him to sit on an ornate chair. He then asked the young
boy, “Who are You? Where did You come from and why?”
The young boy replied, “I have heard that Emperor Bali is doing several acts of
charity. I too have a desire to be fulfilled.”The Emperor then asked, “What is it?”
The boy replied, “I don’t need much. I will be happy if small piece of land
measuring three feet is given to Me in charity.”
Emperor Bali wondered, “What! Such a small request! I thought You would ask for some
big things. I am surprised at your small request. Is that enough? You may ask for
something more.”
The young boy replied that it would be enough if His request is fulfilled. He
covered the entire earth with one step and the sky with the second and was waiting
to take the third step. But there was no space left for the third step.
Emperor Bali then told the boy, “Dear one! You covered the entire Earth with one
step and the sky with the second. Now there is no space to set the third step.
Hence, put Your foot on my head, if You wish.” So saying, he bent his head before
the boy, who was none other than Lord Vishnu come in the form of Vamana Avatar. The
moment Lord Vamana set His foot on the head of Emperor Bali, Bali was pushed down
under its weight to the nether world! That was how Lord Vishnu liberated Bali.
The people of Emperor Bali’s Kingdom were very sad at the developments. They
expressed their feelings of forlornness thus: “Oh God! Our Emperor is no more with
us. He used to rear us like his own children. He is our protector. How can you live
without him?” Their helplessness and agony over the separation from their beloved
King were very painful. The happy event of Yajna being celebrated on a grand scale
came to an abrupt end. This is an example of the saying, “Pleasure is an interval
between two pains.”
As the people were thus grieving, Emperor Bali declared from the nether world, “Oh
my dear children! You are all very dear to me. I will always look after your
welfare, wherever I am. I will see that you do not undergo any trouble. I will
protect you. You need not feel that I am away from you in a different world. Every
year on this day, I shall come and see you. Commemorate this day of my coming as a
festival. Take a head bath, wear new clothes, and enjoy a feast with a variety of
dishes on this day.”
Since then, the people of Kerala celebrate that day as ‘Onam festival’ in
remembrance of their most beloved King and protector Bali.
Emperor Bali used to do a lot of good work for the benefit of people and make them
happy. This is why the people could not bear separation from their beloved King.
Even today, Kerala remains a land of plenty and prosperity. Nature showers its
bounty on the people of Kerala. In fact, the rains start in Kerala and then spread
to the entire country. There is no dearth of food grains and drinking water in
Kerala, which is nature’s gift to the people of Kerala. It is customary to see
people in other states worrying about the arrival of the monsoon saying, “Oh! The
rains have not yet started in Kerala.” It is a land where the omnipresent God
incarnated as Lord Vamana. He may incarnate in one place but is present everywhere.
God is omnipresent, though at times He incarnates in one form at one place. God is
only one, not two, though people refer to Him by different names and forms. Ekam
sath viprah bahudha vadanti (truth is one, but the wise refer to it by various
names). It is only our illusion to ascribe different names to God like Rama,
Krishna, Govinda, Allah, Jesus, etc. The sun is only one, and it appears in
different parts of the world at different times. It is now 9.00 a.m.; but it is
night in the U.S.A. Similarly, the one God dwells in different people in different
forms.
Do not be under the impression that God has different forms. He is beyond names and
forms. Ekoham bahusyam (God is one but manifests as several beings). Divinity is
present everywhere and in every country and in every individual. It is omnipresent.
Since your perceptions are different, you ascribe different names and forms to the
one God.
The land of Kerala is the gift of God. The people of Kerala follow the commands of
the noble Emperor Bali even today. That is why the state has developed in several
ways. There is no dearth of food and amenities for a happy living in Kerala. Emperor
Bali provided all comforts to the people before he left for his abode. It is a small
state, and densely populated. Whatever may be the size of population, people enjoy a
lot of comforts, peace, and happiness in Kerala.
Of course, changes in people’s aspirations and lifestyle are taking place in recent
times due to the impact of Kali Yuga, but the core of their hearts and feelings
remains the same. They still follow the Vedic injunctions Sathyam vada, dharmam
chara (speak truth and follow righteousness). They respect the elders and serve them
with love and affection.
What could be the reason for this? Love for God. It is a land where love for God
exists even today. They have fear of sin. Those who have love for God naturally
develop fear of sin. Consequently, such people will have a high degree of morality
in society, which is very important for its orderly functioning. Thus, the people of
Kerala scrupulously observe the three principles of Daiva preethi; papa bheethi, and
sangha neethi (love for God, fear of sin, and morality in society). They respect
elders and give due recognition to them.
One should have morality and integrity. The same principles have been enshrined in
the Vedic injunction, Sathyam vada, dharmam chara (speak truth and follow
righteousness). The people of Kerala follow these two principles scrupulously in
their daily lives.
It is not enough to celebrate the Onam festival with a lot of religious fervour and
devotion. You have to live up to the expectations of the noble emperor Bali. It is
said Matru devo bhava, pitru devo bhava, acharya devo bhava, atithi devo bhava
(revere your mother, father, preceptor, and guest as God). (Mother is God, father is
God, teacher is God, and guest is God). First comes the mother in that order. She
gives birth to you, brings you up, and teaches you good things in your formative
years. Then begins the role of father. He is your second guru. Then the teacher
(guru) teaches you education to enable you to make a living in the world. And
finally God takes command. Thus, your life in this physical world begins with your
mother and culminates in God.
Hence, do not under any circumstances forget your mother. Love your mother more than
anyone else and show her due respect. You will find that the people of Kerala
respect the elders very much, particularly their mothers. They lend a helping hand
and take good care of them. They keep them happy always. How fortunate are the
people of Kerala to have an Emperor like Bali, whom God Himself accompanied to
Vaikuntha (heaven)!
What is Onam? It is a day in which people take a good bath, wear new clothes, and
pray to God with a pure heart. The people of Kerala prepare a variety of tasty
dishes, particularly with banana. In fact, they prepare twelve varieties of dishes
with the banana fruit. It is a unique celebration. They prepare these dishes with a
pure and loving heart. Hence, they will be very tasty.
They offer these preparations first to God wholeheartedly and with a lot of devotion
and then partake of it along with their family members and relations. They serve
these dishes one after the other. Both the cooking and serving of the dishes is done
with a pure and loving heart in the true spirit of Onam celebrations. They keep
their houses clean and maintain a sacred atmosphere for God to manifest. They
consider them not merely as houses, but temples of God. It is only in Kerala that
such a sacred atmosphere prevails.
Even if some people have some misgivings about the festival of Onam, they get them
cleared and celebrate the festival in its true spirit as a day on which Emperor Bali
conferred blessings on his people from Vaikuntha (the abode of Lord Vishnu), which
he ultimately reached.
It is a tapas (penance) for the people of Kerala to remember the words of Emperor
Bali on this day and lead their lives accordingly in a spirit of love and service.
“Love all and serve all”! There can be no greater penance for anyone.
Whomsoever you come across, offer your salutations. Even if you encounter your
enemy, offer your salutations to him first. Surely, he will reciprocate your noble
gesture. Thus, people have to conduct themselves with mutual love and unity. It is
only such people that deserve to be called human beings. They are, in fact, the
people with morality.
You have to develop such morality today. Love for God enjoins one to develop
morality in society. Hence, you have to develop Daiva preethi, papa bheethi, and
sangha neethi (love for God, fear of sin, and morality in society). Do not ever
forget these three principles.
Those who have no morality are not human beings at all! Can a nation or race exist
without morality? No! You have also to develop the qualities of humility and
obedience, besides morality. This was, in fact, the message of emperor Bali to his
people. If you can cultivate and develop these qualities, your life will be
sanctified. - Source- sssbpt.org
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Every year Sri Sathya Sai Seva Organisation, Kerala
organises the Onam festival at Prasanthi Nilayam with great
devotional fervor. The entire Mandir would be aesthetically decorated and wears
a festive look. The Onam festival will be celebrated for about four days with
the entire Sai family from Kerala and from around the world making it to the
Lotus Feet of Swami.
The festivities begin in Sai Kulwant Hall with Mangala Vadyam by well-known
Nadaswara Vidwans in the Divine Presence of Bhagawan Baba. Thereafter, Sai
Kulwant Hall reverberates with NadaswaraVadyam and Pancha Vadyam music on all
subsequent days of celebration.
Cultural programmes by the Balvikas Children from the state of Kerala would mark
the festivities. On the day of Onam Bhagawan would be received in a traditional
Procession from Poornachandra Hall with Poorna Kumbam amidst vedam chanting
Bhagawan blesses the gathering with His Divine Message exhorting the devotees to
emulate and imbibe the sacrificial qualities of Emperor Bali . The four-day
festivities transform Prasanthi Nilayam into Kerala what with the entire Kerala
assembling at Prasanthi Nilayam for Divine Blessings on the auspicious day.
Emperor Bali performed the action of supreme surrender to Lord Indra at the end
of the battle by offering him all his possessions, body, mind and soul on this
day in the sacred land of Kerala. The battle between Bali and Indra represents
the mind battling to control the senses. Vamana opened Bali's eyes to help him
realize the Divine and Bali sought a boon from the Lord that He should visit
Kerala every year on this day of Shravan. This day is celebrated as Onam by
Keralites. This day also extols the merits of gifts, renunciation, charity,
however little, to any one, for all are reflections of God Onam is the harvest
festival of Kerala. On this day, homage is paid to their illustrious king Bali,
who had surrendered himself to the mighty little god Vamana. It is believed that
Bali re-visits his empire that day. It is an enchanting sight to see the
Keralites in their traditional dress offering their worship to the Lord. They
are blessed with the privilege of touching the lotus feet. Swami graces the
occasion and showers his blessings on them. source:
srisathyasai.org.in
Onam: The Harvest Festival, is the
most popular festival of Kerala. A festival that celebrates a happy blend of
myth and reality, Onam is part of the cultural repertoire of every Malayalee.
Year after year, for centuries, the people of Kerala, irrespective of caste,
creed or colour, join together to celebrate Onam. The ten-day Onam festival
falls in August-September, coinciding with the beginning of the harvest season.
According to local belief, in a war that took place between the gods and the
demons, the demons won. Deeply hurt by the defeat of the gods, Aditi, their
mother prayed to Lord Vishnu to destroy Mahabali, the Demon King. Consequently,
Lord Vishnu, in the guise of a Brahmin boy, Vamanan, went to Mahabali and asked
him to grant him three steps of land. The wish was granted and Vamanan covered
the whole land with his two steps and then he came back to the King asking him
where can he place the third step. The King to honour his word, offered his head
as the third step. Vamanan pushed Mahabali deep down into the earth. Pleased by
his honesty and generosity, the lord in turn granted him a wish that he could
visit his kingdom and people on a particular day once a year. Preparation of a
floral carpet called "Athappookkalam" in front of houses, from the first day of
'Atham' to the tenth day of 'Thiruvonam' is part of the festivities, which is a
symbolic gesture to welcome King Mahabali. The state government conducts Tourism
Week celebrations in connection with Onam, showcasing the gems of Kerala's
culture. Onam resonates with Carnivals, Boat Races, Dance, Music and Feast. A
sumptious meal on plantain leaf and the traditional sweet dish of Kerala
'Payasam' etc are served in every house.
The Bhagwat Purana (ancient Hindu scriptures) tells the engrossing story of
Mahabali. He was a noble and virtuous king. Although he was an asur (demon)
king, he was known far and wide for his generosity and good sense. It is said
that if a person asked Mahabali for something, he never returned disappointed.
The story goes that once Mahabali decided to perform the Ashvamedha Yagna (a
horse-sacrifice in order to be proclaimed the most powerful and distinguished
king in the three worlds – heaven, earth and the nether world). The devtas
(gods) felt especially threatened by this ritual for as noble as Mahabali could
be, he was after all an asur. The devtas rushed to Lord Vishnu (the Preserver in
the Hindu Holy Trinity of Creator-Preserver-Destroyer) imploring him to rein
Mahabali in.
The Interesting Tale of Mahabali And The Dwarf
These are celestial matters and we should leave the gods to work in their own
mysterious ways. Coming back to Mahabali and the elaborate preparations of the
Yagna; the venue of the Yagna was to be the banks of the holy Narmada River. It
is believed that while Mahabali was proceeding to Narmada, a charming little boy
holding an umbrella stopped him. Seeing the boy who was actually a dwarf,
Mahabali realised that this was no ordinary fellow. Mesmerised, he told the
dwarf to ask him for anything he desired. The dwarf simply asked him for the
measure of area he would cover in three strides. Taken aback by such a trivial
wish, Mahabali asked him to demand something more substantial. The dwarf did not
change his mind and again repeated his wish. Mahabali had little choice but to
agree. The dwarf assumed his original self – Lord Vishnu who had appeared in his
fifth avatar or manifestation (the fifth reincarnation of Vishnu in the form of
a dwarf is called Vamana).
Assuming gargantuan proportions, he took his first step on earth, the second
foot was leisurely placed on the heavens and well, you could say that not much
was left for the third step! So Mahabali, the magnanimous king that he was, rose
to the occasion and offered his head for the last stride of the Almighty. Vishnu
promptly obliged, thus pushing Mahabali into the realms of the nether world.
Moved by the nobility of this demon king, Vishnu proclaimed that even after
losing every worldly possession, Mahabali would earn eternal wisdom and the love
and affection of Vishnu. Mahabali accepted his fate unflinchingly and only asked
for one wish in return. This wish, more than anything, proved how worthy a king
he was. He asked for the chance to come back to his cherished land and people at
least once a year. It is believed that since that day, Mahabali comes every year
to visit this sun-dappled land of coconuts and his beloved people. This day is
called Onam.
Onam falls, on the 12th day of the waxing moon in the Hindu month of Bhadon
(around August September) once the golden yellow rice fields have been harvested
at that time of the year. There is no specific god associated with Onam. Neither
is any special puja (a ritualistic prayer ceremony) performed.
The celebrations of Onam start ten days before the big day. The first thing
people do is decorate the gates or main doors of their homes. No balloons or
festoons for these folks. They adorn their homes and gates with fresh branches
of red coconut (red coconut is considered auspicious on Onam), banana leaves and
coconut fronds.
If you happen to be in Kerala around Onam, you will see banana and coconut
fronds just about everywhere, sometimes even popping out of trucks and buses or
tied to the horns of the neighbourhood cow, all with a pinch of the auspicious
vermilion powder.
The first day of Onam is called Attam. Women get up earlier than usual, have a
bath, wear fresh clothes (women wear off-white cotton saris with a zari border
on festive occasions), neatly pin strings of jasmine and other seasonal flowers
in their long black tresses and adorn themselves with jewellery. Children get
dressed and go to the market to buy flowers and flower petals which they bring
back to their mothers and sisters. The ‘mummies’ prepare a small part of the
ground on the eastern side of the house (east is considered sacred because the
sun rises in the east and Hindus have worshipped the rising sun since time
immemorial).
The Attam
The House Yards are smoothened out, and cow dung spread evenly on it. Flowers
are placed over this patch in beautiful patterns. These patterns are generally
circular and a lump of cow dung is placed in the centre symbolising Ganesha (the
elephant-headed god - see Ganesh Chaturthi).
The creation with dung and flowers is called Attam. Once the Attam is completed,
the women sing songs in praise of Mahabali and perform a lovely dance of simple
but graceful steps around it.
The Attam is considered very sacred and a fresh decoration is made everyday till
Onam. The old decoration is not removed, instead the cow dung is moistened with
water, then a thin layer is spread over the Attam and a new pattern is made.
People sing and dance around the Attam everyday and remember Mahabali, who
perhaps watches them from somewhere. These days, community Attam where all the
members of a community come together and rejoice around the sacred spot, is
becoming quite popular. These very members take turns to keep a constant vigil
over the Attam.
On the third day, people hold big feasts in their homes and invite their
relatives and friends. The feast is strictly vegetarian and consists of rice,
which is eaten with various curries, curds, vegetables, crisps, pickles, and
sweets (see Cuisine).
organises the Onam festival at Prasanthi Nilayam with great
devotional fervor. The entire Mandir would be aesthetically decorated and wears
a festive look. The Onam festival will be celebrated for about four days with
the entire Sai family from Kerala and from around the world making it to the
Lotus Feet of Swami.
